articles
articles
foreword to the catalog “boldini mon amour”
Sen. Sandro Bondi
Minister for Arts and Culture
introduzione al catalogo “boldini mon amour”
Tiziano Panconi
Curatore della mostra
This retrospective exhibition, providing a complete picture as possible of Art Boldini, also lingers through the images and a detailed framework for critical, particularly on the artistic point of view and human relating some stories of love real or alleged, and many passions insatiable experienced amateur, often hastily consumed from time to time in the time required to carry a portrait.
Letters and photos are published and unpublished Alaide Banti and Emilia Cardona Boldini, wife of the famous painter, are collected here along with business cards left in life but equally likely to be Giovanni Boldini, both Emilia, then remarried to the sculptor Francesco La Monaca - at the time also permanently residing in Paris - and found the home of Pistoia, in 1977, after the death of the widow Boldini. In addition, the discovery of an important witness unpublished letters and photographs have allowed us to reconstruct some key steps of human affairs and emotional issue that marked the coexistence of the distinguished but elderly and the young master Ferrara literate Piedmont, as is now the first established, at the same time cultivating a relationship parallel. The numerous drawings in pencil by Boldini dedicated to Millie, as he called affectionately, as well as pictures of the furniture and furnishings found in the study of teacher's widow, and never released, completes the picture of a long life marked by convulsive attraction for women and by the continued refinement of an aesthetic than on which his original figure of expression. As usual for this writer, on this occasion that we could, so to speak, to define official - also responded to the initiative of a unique audience of institutional personality, most notably the Minister for Arts and Cultural Affairs, Senator . Sandro Bondi, to whom I express my gratitude for having wanted to bring his valuable contribution and enlightened, and the Hon. Verdini and on. Aracu and Claudio Martini, President of Tuscany - in addition to the cornerstones of the artistic production from the most famous Italian art galleries, and then normally accessible to the public, I thought it appropriate to present a selection of works by little known or ever seen, even fifteen unpublished, that in my opinion are, again, the added value of an exhibition. Biographical and critical updates and the new findings presented here are indeed proud of the result of years of research undertaken by the constant scrutiny of the works of Giovanni Boldini in an ongoing relationship with the museums, galleries, with the houses' auction with the inscrutable and fascinating world of collecting.
On December 30, 2008 has closed down the largest retrospective ever to be dedicated to Giovanni Boldini (300 between documents and unpublished photographs, 180 works). Extraordinary public success and critical acclaim, almost 50,000 visitors.
On December 30, 2008, in Montecatini Terme, the exhibition has closed its doors Boldini Mon Amour, an event which, with its nearly 200 works and 300 unpublished photographs and documents, has done a really epoch.
40,000 paying visitors, more than 8,000 guests and 2,000 catalogs sold the note to the ticket.
Among the lenders: Galleria degli Uffizi, Florence; GAM Milan G.A.M. Palermo G.A.M. Genoa, Museo Giovanni Boldini, Ferrara; G.A.M. Palazzo Pitti, Florence Museums of Pavia, Museo di Capodimonte, Naples Area Museum Ca 'The Hurdy-Gurdy, Bologna, Cassa di Risparmio di Pistoia and Pescia, Pistoia; CARIPIT Genova, Fondazione Cassa Lombarda, Milan.
The 2008 event, so I called the newspaper La Nation, began with a gremitissimo vernissage, a real gala dinner in evening dress and a sophisticated menu of dishes created ad hoc (there was also a plate "Boldini" : cod with layers of chocolate) by the restaurant aorist. Hosts were the acclaimed curator Tiziano Panconi, the highest authority in matters of Boldini and Macchiaioli, the Hon. Luca Barbareschi, the Hon. Massimo Parisi and Regional Councillor of Tuscany, Caterina Bini. During the four months of opening, there have been many visits by celebrities from the worlds of politics, culture and entertainment event sponsored by the city of Montecatini Terme, the Chamber of Commerce of Pistoia, the Fondazione Cassa di Risparmio di Pistoia Pescia, the Ministry for Arts and Cultural Affairs and hosted by the Society of Montecatini Terme.
The presentations, authoritative, organized by the monumental catalog Panconi were, among others, the Minister for Arts and Culture, one of the culture and that of President of the Tuscany region.
The culture of Montecatini Gian Luca Calzolari and Deputy Mayor Alberto Lapenna, first to believe in the possibility of bringing an exhibition of international level in Montecatini, ripping this project in Paris, expressed their satisfaction at a unique event that made headlines the whole of Italy, not only of the city, with a record number of unseasonal never registered before.
Art Newspaper on the month of December, the Superintendent of Rome Claudio Strinati indicates the monumental catalog (488 pages) which edition of the year. This exhibition and this volume, written in pen tip from the always amazing Panconi, have brought a new and important scientific contribution to the knowledge of the author and his bibliography, now updated in the light of the exceptional discovery, by Panconi, the fund Emilia Cardona Boldini, an archive of which, between myth and legend, was supposed to, without having proof of the existence. For the occasion, many videos and documentaries filmed including the Journal of Marco Iacomelli, to Art News RAI 3 television and Tuscany.
BOLDINI, the painter who loved women
Tiziano Panconi
(from: Il Tremisse, Pistoia, December 2008)
The numerous drawings in pencil by Boldini dedicated to Millie, as he affectionately called his latest muse, as well as images of furniture and originals - sculpture, furniture, carriages, all in miniature - used as models for paintings, found at the study of the master's widow and never released, completes the picture of a long life marked by convulsive attraction for women and by the continued refinement of an aesthetic than on which his original figure of expression. Six years after the edition of the catalog raisonné (T. Panconi, Giovanni Boldini, The complete works, Buildings, Florence, 2002) in which they were played between 1250 and pastel paintings of the famous Italian composer of the nineteenth century, being continuously since then further research on his artistic activity, there are many new documents today painting, photography and found letters, never before disclosed, published on this occasion.
The extensive and important unpublished correspondence found some basic steps to update the biography of the artist and the complicated love affair with the young entertained by these Emilia Cardona, tie the knot just two years before the death of the old and rich and become its master sole heir. The exhibition includes three unknown letters, 70 original photographs of unpublished Bolduc and his wife, a large group of drawings in pencil and, of course, the main body of the exhibition consists of 19 works by artists from the circle of Boldini (De Nittis Zandomeneghi , Corcos, Banti, Helleu, Mancini, Picabia) and about 110 paintings of the most representative of the artist, from public collections and the most important Italian private collections (Galleria degli Uffizi, Florence GAM, Museo di Capodimonte, GAM Milan GAM Palermo, Galleria d'Arte Moderna in Palazzo Pitti in Florence, Museo Boldini of Ferrara, etc.). exhibited in chronological order within the town of Montecatini Terme Tamerici of salt.
VIDEO Boldini Mon Amour (click here)
Tiziano Panconi explains Giovanni Boldini